。クラウドに好きなだけ写真も保存可能。. Unfortunately, there's not much to Hwang's maverick leadership skills, nor his colleagues pseudo-twisty attempts at disarming Jang's many go-betweens, and colleagues. But there are also, generally speaking, too many scenes that are so contrived that I sometimes wondered if a living script template for an "Ocean's Eleven"-style heist movie had come to life, and left no cliche behind in its hapless quest to deliver superficially topical thrills. Copyright (C) 2020 Yahoo Japan Corporation. With its jazz-funk score and trust-no-one scenario, The Swindlers is an entertaining if mostly routine con-game thriller. But just think of the poor subtitle translator who had to agonize over dialogue so leaden that it took the joy out of a word that's as joyfully outdated as "swindler." Vesoul International Film Festival of Asian Cinemas, The Takashi Miike Project (100/105 complete), Film Reviews: Burning (2018) by Lee Chang-dong, Short Film Review: WTFish by Sumit Saurav, Film Review: Mukti Bhawan (Hotel Salvation, 2016) by Shubhashish Bhutiani, Documentary Review: Of Shadows (2016) by Yi Cui, Film Review: The Sweet Requiem (2019) by by Ritu Sarin and Tenzig Sonam, Interview with Lee Joo-young: There Are Many Times When I Wonder If I Am Truly Happy With My Achievements, Lim Kah Wai’s COME AND GO Selected for Tokyo Premiere 2020, Takashi Shimuzu to Adapt Mariko Koike’s Graveyard Apartment, Short Film Review: Alienation (1966) by Kang-Chien Chiu, Film Review: Lethal Panther (1991) by Godfrey Ho. 韓国で起こったマルチ商法詐欺事件を基にした犯罪アクション。死亡したとされる有名な詐欺師がまだ生きていると直感した主人公がチームを結成し、詐欺師を追う。主演は『コンフィデンシャル/共助』などのヒョンビン... Every potential source for good popcorn entertainment is thrice warmed-over, and poorly executed. 3 Good Asian Titles as part of the 2nd HFPA Foreign Language Film Series + Q&A. All Rights Reserved. There were a few aspects to like with “The Swindlers.” The multilayered storyline from director Chang-won is incredibly fine, bringing together the stakes of the con and what’s the plan for revenge in fine order. From the “Oceans’ Eleven” series and it’s many spinoffs over the years, it’s obvious how the multi-star driven heist caper film has become a big aspect of big-budget Hollywood. The editing is also not without its share of flaws, as the film could've been trimmed slightly. Other directors give difficult birth to each new project, but they've created worlds that easily produce new stories--Rohmer the world of minutely observed romance, Chabrol the world of crime and depravity. Because of this movie had surprises in many scenes.

The screenplay is for the most part gripping. I think if you watch too much this type of genre, you can guess through already on the midway through the movie. Head to the Third Window and Arrow Shocktober Sale!

They record phone calls and in-office negotiations, hoping to stumble upon incriminating evidence they can use for the next part of their elaborate confidence tricks. You solve the suspicion, You believe it.- lines. Watch it, when u want to killing time.

It's bad enough that Nana is stuck with pseudo-flirty baby talk like "Don't I look like a girl to you?"

Too complicated for its own good.
They also frequently exclaim key plot points as if they were characters in a really bad "Dick Tracy" cartoon, like when multiple protagonists address Hwang's father Yoo-suk (Jin-young Jung) by his con-man nick-name of "London Fog." It may seem to underestimate the viewers, since some of us able to guess the storyline from the early parts of the movie.The main character is too comical, but who stole attention is an antagonist character. The story takes its time to set up, and in the process the writing at times turns a bit uneven. Well-dressed characters watch gigantic TVs, and monitor each other's progress through seemingly omnipresent closed-security televisions. Get the freshest reviews, news, and more delivered right to your inbox! The Swindlers: Trailer 1. A South Korean man has been killed, and his son is just decent enough to care. The actors perfectly executed their respective roles. Unlike Master though, here the crime is used as a jumping off point, one which is used to frame a tale which feels more like a slice of The Thieves -lite.

I readily admit that, as someone unfamiliar with the Korean language (beyond a couple of key phrases), the appeal of the film's more dialogue-intensive scenes were probably lost on me thanks to English subtitles that were often distractingly blocky. I've watched so many good crime movies over the years Korean and otherwise that it's hard Its what I want from a con job movie, in that the filmmakers are not hung up on how cool they look for deciding to do a con job movie; they're interested in the job. The film - while well-made and intermittently entertaining - isn't particularly distinctive beyond its casting. But it's more likely that "The Swindlers" was always DOA. Sadly, these actors frequently over-play their characters' hands so that we always know when Park's crew are performing.
Really only give this one a look if you’re a fan of these slick crime capers or curious about a Korean style attempt on the style, while those that don’t find the genre all that enjoyable should heed caution. Forgot your password? However, that is really all that “Swindlers” has going for it. Who is the culprit? Copyright (C) 2020 GYAO Corporation. Another gold for my Binnie! | Directed by Chang Won Jang. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer.

No such insight can be found here though since every potential source for good popcorn entertainment is thrice warmed-over, and poorly executed. Learning that the political ramifications of the event won’t bring Doo-chil to justice, he decides to come together with police officer Park Hee-su (Yu Ji-tae, from “Oldboy”) and his off-the-books team Kwak Seung-geon (Park Sung-woong, from “Monstrum”) Ko Suk-dong, (Bae Seong-woo, from “The Phone”) and Choon-ja (Nana) in order to finally bring the man to justice. Everybody wants a piece of Jang, including square-jawed lawyer Heeo-soo Park (Ji-tae Yoo), sexy lady pickpocket Choon-ja (Nana), and cocky young con man Ji-sung Hwang (Bin Hyun). There are a lot of swindling and con movies but what I like about this film is that there are no dragging love/romance scene or parts. With the first examples of the con managing to bring Hee-su and his team together with Ji-sung being more of an action-film styled con taking on fake identities, plenty of high-tech occurrences and some stylish camera-work from Lee Tae-yoon, this early setup is gripping and features the type of enjoyable work that’s to be expected throughout here.

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