glee songs season 6

She kills it. As Sue proceeds to try and undo the merger of the two show choirs, her darkest secrets – some even she didn’t know about – become exposed to the unforgiving light of day, leaving her to accede to one unfathomable decision while simultaneously creating a surprising – but not unwelcome – opportunity for her.

Oh, home, let me come home Kurt is at home with a Broadway standard.

I really never needed a pop punk cover of Taylor Swift from the two characters of Glee that are least likely to listen to Taylor Swift. Laugh until we think (we'll die)

Man, oh, man, you're my best friend (Santana: Daddy) (Puck: Momma)

Mercedes getting Rachel an audition for an upcoming, original Broadway show and pushing her to pursue her dreams of being a Broadway star.

click here for the spreadsheet with full rankings. Santana (with Brittany): Alleyways and payphone calls Ho! There’s not a ton to say. Every song is gutting. This is also the least creepy version of “Baby It’s Cold Outside” to listen to, which is cool. Previous seasons have had between 12 and 15 regulars. We don’t get a lot of dance solos including Britney and Mike Chang, but that’s only due to the coaching failures of Will Schuester. I'll follow you into the park Glee TV Show Wiki is a FANDOM TV Community. And in the streets we run afree We learn that Kurt was new to McKinley after having transferred from another school. This Glee version is different than the original version.

She takes what is normally a saccharine pop ballad and imbues it with a sense of purpose.

It is television, it is Glee and it is also a wake. Plot: After Sue’s “informal” Show Choir Invitational has already begun, she announces several rules, including that all teams must have at least twelve members (which New Directions does not) and the competition – which will extend over a three day period – will move forward even in the unlikely event that some of the coaches get kidnapped. Oh, home, let me come home While no moment is particularly awful to listen to, the whole idea is awful in sum. Nope. The planning stage hits an impasse, however, when the two brides have a stark difference of opinion over whether or not to invite Sue. Mason: After learning of a mean-spirited prank his students pulled on rival coaches Rachel and Blaine, he tries to teach his kids about tolerance by making it his weekly lesson plan. Coach is not so easily dissuaded and still has a few characteristic tricks up her sleeve. 2:55. The two strike an unlikely alliance, but they make minimal progress in their tasks until fate intervenes and an act of faith takes center stage.

Plot: McKinley alums return for Homecoming, including Artie, Becky, Brittany, Mercedes, Puck, Quinn, Santana and Tina. Through the jungle, through the dark

Maybe it connects thematically to the plot?

With Will’s departure from McKinley, he and Sue would apparently have no further grudges to bear against each other, but she still takes offense at even the most innocent of actions and – with a planned retirement on her horizon – decides to embark on a grand act of revenge. Plot: When several show choirs plan to gather at McKinley for a technically meaningless “invitational” competition, Rachel worries that Will’s Vocal Adrenaline team will be so stellar they will blow her still-struggling New Directions team out of the water.

I Still Haven’t Found What I’m Looking For. Context in episode plays a role in everything. While Mercedes is supportive of Rachel’s new career path, she is committed to convincing her to not abandon her dreams of something bigger and better… namely Broadway. Song needs to last around 15 seconds to be considered, though there are exceptions. The vocals are purposefully annoying and the plot to this episode made no sense. They beat it to death in commercials, but it was always catchy and caused a small resurgence of the original Journey song.

He is impossible not to like. It just works. Fresh off their unexpected win at Sue’s Show Choir Invitational, Rachel and Kurt give the gleeks their weekly assignment: the music of Burt Bacharach, and recruit reigning diva Mercedes to act as a mentor for the new singers. Singles: "Rather Be" (New Directions), "The Trolley Song" (Doris and Sue), "Far From Over" (Vocal Adrenaline), "The Final Countdown" (Sue and Will), "Rise" (New Directions). This song is hurt a lot by the fact that Hey Ya! Idina Mendzel was always such a great fit as Rachel’s mom, despite their very strange “Poker Face” cover. In this category, songs don’t get credit if they are bad on purpose, this is pure vocal quality. Never could be sweeter than with you The chemistry between Blaine and Kurt is phenomenal, as are both of their voices. The Warblers acceptance of an invitation from Kurt, Rachel, and Will to join New Directions.

When they said “No we ‘aint seen her!” I needed to stop to take a break and catch my breath. Ho! These categories are very interconnected.

In light of the tragic news, Will, Kurt and Blaine decide to merge the now homeless Warblers with the undermanned New Directions and form a new show choir supergroup… one that may take some getting used to for all the students.

You and me You don’t need to do much more than give them a microphone and hit record. Does it move the story forward? We don’t see Santana get emotionally vulnerable often, so it’s special when she does.

Through the jungle, through the dark A post-op Coach Beiste, who has changed his name to Sheldon, returns to McKinley to receive an uncharacteristically warm but typically over-the-top welcome-back from Sue. I’ve given examples of songs for each category that I consider the best and worst of each category. Are the voices generally pleasant to listen to? You realize halfway through what the song is about and it’s a gut punch. Mercedes’ voice is great as always. But I want to talk about a line at the end of the scene that may be the worst line ever aired on television.

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