A good Visual Framework does indeed include a layout grid, but it also includes other aspects of look-and-feel, such as colors, visual details, and writing style.

Figure 4-17. (It’s software practice.). Try a different approach to designing the visual hierarchy. If so, you’re doing fine. A wool rug is always a good choice as it reduces noise and naturally resists dirt. You want it to “hang together” and look like one thing, deliberately designed; it should be easy to use and navigate.

It is broken up into several Movable Panels that float separately on top of the work windows; each panel contains one or more tab pages that group the properties by category. Linear rhythm refers to the characteristic flow of the individual line.

Continuity and closure, then, explain alignment.

When the user finishes filling in values, the new property values are written out to the object. This is better than jumping from one content-starved wizard screen to another. (But it doesn’t mean you can frustrate her by hiding what she’s looking for! The user thus gets a chance to form a correct mental model about cause and effect. Design each page to use the same basic layout, colors, and stylistic elements, but give the design enough flexibility to handle varying page content. [5] See “Use Reading Performance or User Preference,” at http://usability.gov/guidelines/. The user can open several sections at once. Our most universal standard of measurement is the human body; that is, our experience of living in our own bodies.

So, what are the elements of design?

Scrollbars let the user move around at will, in one or two dimensions. This technique has existed since at least 1993, and possibly earlier. If the user chooses to show it, then she gets a panoply of choices about how it ought to be shown.

It’s a cheap and graceful way of pulling apart monotonous blocks of information.

In this blog entry, the eye goes first to the upper left, reads the content, and then comes to rest on the links at the bottom right. Fully grasp the world of alignment by experimenting with different shapes and text layers in your own designs with Shutterstock Editor to see how this practical tool can achieve effortless results. This Mac OS X address-book entry has very little whitespace between the two columns, but the difference in color helps to separate them visually. "[2] indeed. The next time you pick up a magazine, look at some well-designed ads and notice what your eyes gravitate toward.

The human visual system craves order. “You are here” signposts: titles, logos, breadcrumb trails, and Card Stack indexes such as tabs or link columns, Navigational devices: sets of standard links, OK/Cancel buttons, back buttons, “quit” or “exit” buttons, and navigational patterns Global Navigation, Sequence Map and Breadcrumbs (all Chapter 3), Techniques used to define Titled Sections, Spacing and alignment: page margins, line spacing, the gaps between labels and their associated controls, and text and label justification, Overall layout grid: the placement of things on the page, in columns and/or rows, taking into account the margins and spacing issues listed earlier. Notice that the titles of the A9 panels don’t really stand out much. The comment about directions is indented underneath the “Where” text in the example. The theory behind grouping and alignment was developed early in the 20th century by the Gestalt psychologists. Floral background via Maria_Galybina. Most applications can use Center Stage—tables and spread-sheets, forms, web pages, and graphical editors all qualify. Whitespace is one of the best tools you have for organizing a visual hierarchy.

This chapter’s patterns give you specific ways to put all these layout concepts into play. arsenaladmin.

You also can try to align the short ones with one another, and the long ones with one another.

A strong visual framework, repeated on each page, helps the page content stand out more. Most art education textbooks and therefor art teachers work from a list of 7 elements. Symmetrical balance can be described as having equal “weight” on equal sides of a centrally placed fulcrum. Mockup image via This Is Me. Dropdowns are space conserving, and allow long and numerous page names, but the user can’t see what other pages are available until she opens the drop-down list.

Use of appropriate scale in surface design is also important.

If you put both sections into two tab pages, however, they appear to be of equal importance. Flickr displays small, delicate closable panels with each image, showing related images or other images in a sequence. If you have any other tips you’d like to share, feel free to leave us a comment. As it happens, white often works in web pages too, since ads and navigation bars usually use other colors as their backgrounds; also, web users are “trained” by convention to look for the plain text on a white background. We can choose to ignore what we think we don’t need to look at, and zero in on what we think is the important part of the page. Even though this isn’t a treeview, it takes advantage of what users already know: you click on the plus to open something, and click on the minus to close it. 2. However, this example seems small-scale enough to work. This is likely to happen whenever a page contains a lot of text (as in a web page), or a high-information control like a table or tree, or a graphic editor. Go with what works.

You can get four knobs for only $10, and with a little creativity, re-create this look at a low price, with a big wow factor.

Others show it with a sentinel value, like an asterisk (*), or the word “mixed.”. Establish a visual hierarchy, with the “center stage” dominating everything else. Also, be careful about nesting group boxes two or more levels deep, since it gets really hard to make out what’s what. Cubbies are another popular and far more flexible option for keeping your space tidy.

With these and other familiar structures, like tables, their visual shapes “telegraph” meaning immediately, before the user even starts to read what’s in them. Then left-align the controls against an imaginary line a few pixels away from the right edges of the labels.

I talked above how lines can create shapes, among other things.

It’s not hard to set up a layout that flows well, but be on your guard against layout choices that work against it. For power users, this dense, flexible, user-configurable approach works well; but it’s not something you would use in a casual application, nor with users who aren’t already comfortable with software tools this complex. Distributing objects is key to a successful design; evenly spaced out shape and text elements contribute to a coherent and professional layout. It’s being redundant with the whitespace by separating some blocks of text from others. Work with her preconceptions; put that in center stage and make it recognizable. Draw up an overall look-and-feel for each page or window in the thing you build. No matter how many other pieces you have in place, the fact is that an entryway is only as good as its rug. All other pages or windows should also share the following, as appropriate.

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