2011.

Current staff and students can search the full University directory in the intranet. In March of 2019, online travel hub Culture Trip debuted their short form documentary Soul of Soho at SXSW featuring Bear’s soundtrack. Freshly roasted high quality coffee beans everytime you place an order. On the production side of things he has remixed tracks for artists including Feist, Of Montreal and Phoenix. My work on robotic milking on dairy farms, conducted in collaboration with Lewis Holloway (University of Hull) and supported by an ESRC grant, examined the co-production of robots, dairy cows and humans, looking at how the introduction of robotic milking may change the ways dairy farmers manage their farms and businesses, and might affect the farmer-cow relationship. Dr Christopher Bear.
Christopher continues his work with various score projects, solo music, studio session work and is signed on for scoring Season 4 of High Maintenance starting this fall. London: Routledge. [Book Review], Towards 'the good insect': experimentation and breeding in the UK's emerging edible insect sector, Visualising human-animal-technology relations: fieldnotes, still photography and digital video on the robotic dairy farm, Bovine and human becomings in histories of dairy technologies: robotic milking systems and remaking animal and human subjectivity, Assembling ocean life: more-than-human entanglements in the Blue economy, Tracing bacterial legalities: the fluid ecologies of the European Union's bathing water directive, Resisting robots: automated milking and emerging geographies of more-than-human resistance, Country life: agricultural technologies and the emergence of new rural subjectivities, Negotiating robotic milking: management, welfare and experimentation on dairy farms, Book review: food words: essays in culinary culture, The nature of borders: salmon, boundaries, and bandits on the Salish Sea. Exploring views about food assurance, Going with the flow? Christopher Bear is a multi-instrumentalist, composer, and music producer based in Los Angeles, CA.

Copyright Cardiff University. Christopher "Chris" Taylor (born August 29, 1981) is an American multi-instrumentalist and record producer. I recently completed ESRC-funded research on the adoption of robotic milking technologies in the dairy sector, developing my long-standing interest in the place of animals within food production systems. My research interests centre on the relationships between humans, animals and technologies. In between tour cycles Christopher continued to work on his own music which lead to the opportunity to contribute original compositions for a popular web series called High Maintenance. March 2019 also marked the release of a commercial advertisement spot for BMW and Artsy utilizing his score. This work has broken down the binary of 'lay' and 'expert' knowledges, looking at how claims are circulated and challenged in the contexts of agro-food systems and recreational fisheries management.

Engaging with non-human difference through recreational angling. Bear, C., Holloway, L. and Wikinson, K. 2011. While studying jazz and music production at both the New School and New York University, Christopher met his three future bandmates who, over the span of the following 15 years, would go on to create 5 full length albums and tour the world extensively as Grizzly Bear. Bear, C. and Holloway, L. (2018; invited contribution) Redistributing labour in Automated Milking Systems and the more-than-human (co)production of dairy farming in Marsden, T (ed). I co-convened a Royal Geographical Society annual conference session on the aquatic in 2008, resulting in a special issue of Environment and Planning A, which I co-edited with Jacob Bull (Gender Studies, Uppsala University). ISBN: 9780415642989 [Book Review], Reconfiguring users in automated farming: Cows, farmers and robotic milking, Assembling the sea: materiality, movement and regulatory practices in the Cardigan Bay scallop fishery, Robotic and information technologies in livestock agriculture: New relationships between humans, cows and machines. I am interested in supervising PhD students in the areas of: I am always happy to discuss initial ideas with prospective PhD students; please email me at bearck@cardiff.ac.uk. I also recently completed research into the co-production of scallop fishing regulations in Cardigan Bay by humans, scallops, dolphins and fishing technologies, examined through the conceptual framework of geographies of assemblage. More recently he has created original music for director Hailey Benton Gates’ short film Shako Mako, starring Alia Shawkat, as part of the Women’s Tales film series commissioned by MIU MIU. Christopher Bear (born July 19, 1982) is famous for being drummer. By Lissa Wadewitz [Book review], Robotic milking technologies and renegotiating situated ethical relationships on UK dairy farms, Governance of the seas: A more-than-human perspective on the Cardigan Bay scallop fishery, Re-capturing bovine life: robot-cow relationships, freedom and control in dairy farming, Polluters: siting and tracing animals in the fluid ecologies of the EU Bathing Water Directive, Intervention: the impact agenda and human geography in UK Higher Education, Animals, technologies and people in rural spaces: Introduction to a special issue on emerging geographies of animal-technology co-productions [Editorial], Beyond the bucolic rural: Robot milking barns and more-than-human co-productions of interior farming spaces, Bruno Latour: Hybrid Thoughts in a Hybrid World.

Bear, C. (2016) Tracing bacterial legalities: the fluid ecologies of the European Union's bathing water directive.

I am increasingly interested in developing less anthropocentric research methods that are suited to the study of more-than-human relationships. Bear, C. (2014) Governance of the seas: a more-than-human perspective in Peters, K. and Anderson, J. When the show made its eventual move to HBO, he came along for the ride to score both seasons one and three. Holloway, L., Wilkinson, K. and Bear, C. 2011. In the former area, the work I carried out with Sally Eden examined how knowledges of food travel, focusing on consumer understandings of certification labels, while my more recent work on robotic milking has looked at the role of automation and information technologies in changing how cows are known and cared for on farms. My current teaching focuses on geographies of nature and on the history and philosophy of geography, particularly through: I am also Director of Learning and Teaching for the School of Geography and Planning.

Bear, C., Wilkinson, K. and Holloway, L. 2017. We manufacture and roast our own coffee; say no to costly middlemen.

Dutton. Engaging with nonhuman difference through recreational angling, Assembling the sea: hybridity, movement and uncertainty in the UK’s scallop fisheries, Third-sector Global Environmental Governance, Space and Science: Comparing Fishery and Forestry Certification, Rhythms on the river: environmental knowledge practices and spatiotemporal change in freshwater angling, River readings: the environmental knowledge-practices of angling, Thinking like a fish: how anglers make sense of changing river environments, The sceptical consumer? These interests have been developed through a wide range of empirical contexts, ranging from recreational fisheries to dairy farming. School of Geography and Planning Much of my subsequent research has focused on relationships between animals and humans in diverse contexts such as commercial and recreational fisheries, an aquarium, and dairy farms. These foci are permeated by a theoretical interest in hybridity and assemblage and are often studied through an empirical concentration on recreational activities and the changing agro-food system. Senior Lecturer in Human Geography, Director of Learning and Teaching. Join our monthly subscription and enjoy Christopher Bean perks and bonuses. [4] Bear has also performed live and recorded drums with the band Beach House, and contributed drums and percussion on 9 out of 15 tracks on the 2020 album Shore by Fleet Foxes. 'Towards 'the good insect': experimentation and breeding in the UK's emerging edible insect sector' – invited paper, 'Caring for crickets: care and empathy in edible insect production' -, 'Resisting robots: automated milking and emerging geographies of more-than-human resistance' (with Lewis Holloway) –, ‘Animals in “social” research: exploring the more-than-human geographies of robotic milking’ – invited seminar, Scotland’s Rural College, January 2015, ‘From 'background noise' to 'polluters': siting and tracing animals in the fluid ecologies of the EU Bathing Water Directive’ –, 'Relationships Between Humans, Animals and Technology What behaviors are expected from the cows and humans in a dairy using robotic milking, and how are farming routines and activities changed?' About. In: Braverman, I. ed.

He is best known as the bass guitarist, backing vocalist and producer of the Brooklyn -based indie rock band Grizzly Bear , with whom he has recorded four studio albums. My research is unusual in cultural geography for its focus on environmental change in the aquatic. Bear, C. (2019; invited contribution) Commentary: Bear, C. (2017; invited contribution) Commentary: Assembling ocean life: more-than-human entanglements in the Blue Economy. While much of my current work relates to land-based and air-borne animals, I am also one of relatively few human geographers to have a focus on aquatic environments.

[3], In addition to his continuing work with Grizzly Bear, Bear was briefly a member of Dirty Projectors.

Holloway, L., Bear, C. and Wilkinson, K. (2014) Re-capturing bovine life: robot-cow relationships, freedom and control in dairy farming, Bear, C. (2013) Assembling the sea: entanglement, movement and uncertainty in the Cardigan Bay scallop fishery, Holloway, L. and Bear, C. (2011) Commentary: DNA-typing and super dairies - changing practices and remaking cows, Bear, C. (2011) Being Angelica: exploring post-species animal geographies, Bear, C. and Eden, S. (2011) Thinking like a fish?
(eds), Bear, C. and Bull, J. [5], http://pitchfork.com/reviews/albums/17037-shields/, http://pitchfork.com/news/68423-grizzly-bears-christopher-bear-scores-hbos-high-maintenance/, https://www.theguardian.com/music/2017/aug/18/grizzly-bear-return-america-has-become-toxic-its-palpable-everywhere, https://en.wikipedia.org/w/index.php?title=Christopher_Bear&oldid=982355899, Wikipedia articles with MusicBrainz identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 October 2020, at 16:54. In addition to his continuing work with Grizzly Bear, Bear was briefly a member of Dirty Projectors. (ed.) of our undergraduates enter employment or further study shortly after graduating, invested in our biggest campus upgrade for a generation, Senior Lecturer in Human Geography, Director of Learning and Teaching.

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